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The children’s workshop

Games for looking very closely at the works of Roland Buraud, and a workshop for drawing and painting in turn. And for school classes, a visit sheet with a route through the museum.

Play and create For teachers: the class visit sheet

The museum plan

From the threshold to the guestbook, the museum follows the course of Roland Buraud’s life. You enter by the threshold: tickets are at the desk.

The museum plan : Room I · Beginnings, Room II · The dancing body, Room III · Le Printemps (Spring), Room IV · The tipping point, The blue period, Les Gynéphores · dessins, Diptychs and Falls · 1 / 2, Diptychs and Falls · 2 / 2, Room VI · Last canvases, Danse · 1987 – 1988 · 1, Danse · 1987 – 1988 · 2, Danse · novembre 1987, Danse · décembre 1987, Danse · janvier 1988 – février 1988, Danse · mai 1988, Danse · novembre 1988, Danse · décembre 1988, Danse · janvier 1989 · 1, Danse · janvier 1989 · 2, Danse · 1987 – 1989 · 1, Danse · 1987 – 1989 · 2, Croquis à la seconde · 1, Croquis à la seconde · 2, Dessins · 1987 – 1990, Drawings, 1990, Dessins · 1993, Signed and numbered prints, Dessins · 1996 – 1997 · 1, Dessins · 1996 – 1997 · 2, Mixed media, Secret cabinet, Digital room · 1 / 2, Digital room · 2 / 2, Room IX · The studio and the film, Room X · Exhibitions gallery, Library, Shop, Thanks, Guestbook

  • The entrance
  • The collection
  • Other spaces
  • The route

Themed tours

Five tours for seeing the museum differently: in the 3D visit, the guide follows them and stops only at their works.

The project

Musamundo, “the world of the Muses”, is a series of virtual museums. Each one brings together, for the length of a visit, the work of an artist the world has scattered.

  1. Bringing togetherAn artist’s works are now spread across dozens of museums on several continents. Musamundo gathers them in a single building, room after room, in the order of the artist’s life.
  2. Showing them at real sizeEvery work hangs at its real dimensions, lit by its own spotlight, with its label. At last you can see what a photograph hides: a small study and a large painting are not alike.
  3. Letting the texts speakThe words that go with the works are quoted from the original text: the artist’s own, where any survive (letters, writings, inscriptions on the works), and those of witnesses from the artist’s time.
  4. Free imagesThe museum only uses reproductions of public-domain works or images under a CC0 licence, from open-access collections. Every image gives its source and licence.

Admission to the museum is paid, as in a real museum: it is what keeps Musamundo going, with no advertising. Payment is not open yet: for now the ticket desk and the shop run as a demo.

Start the visit

A year at the museum · 2026

A typical year at the museum: the same events come back every year, month after month.

JanuaryThe painter’s writings

  • One work, one look : A canvas from the blue period, told up close. Readings : Winter readings: his writings read aloud, in the museum library.

FebruaryRed

  • “Red” trail : Crossing the museum through colour, up to the canvases of the red period. The children’s workshop : Winter holidays: the big quiz and the artwork puzzle.

MarchSpring

  • The live tour : The spring tour, with commentary room by room by Etienne Buraud. Voices : A meeting with those who knew the painter.

AprilDance

  • International Dance Day : On 29 April, the “Body and dance” trail: from the drawings made in Kókó Jaspar’s class to the canvases of the red period. The children’s workshop : Spring holidays: finish a painting by Roland Buraud.

MayNight at the museum

  • European Night of Museums : The museum open late, with a live night tour. The museum cinema : A film about the painter and his studio, in the projection room.

JuneMusic

  • Music Day : “Drawing the way you play the piano”: readings and music in the library. School visits : End of the school year: classes visit the museum with their visit sheet.

JulyThe very large formats

  • “The very large formats” trail : The four- to five-metre polyptychs, at their real size. The children’s workshop : A creative challenge every week of the summer.

AugustSummer at the museum

  • The museum cinema : Summer screenings in the projection room. Readings : Summer readings: the library’s texts, read aloud.

SeptemberBehind the scenes

  • European Heritage Days : Behind the scenes of the collection: the storage, the restoration diary, the catalogue raisonné. School visits : Back to school: teachers prepare their class’s visit.

OctoberThe autumn exhibition

  • Exhibition opening : The year’s temporary exhibition opens its doors, with a live tour. One work, one look : A work from the exhibition, told up close.

NovemberThe catalogue raisonné

  • Last days of the exhibition : The last live tours before the exhibition closes. The catalogue raisonné : A call to collectors: do you own a work by Roland Buraud? It belongs in the catalogue.

DecemberThe museum celebrates

  • The live tour : The winter tour, and a look back at the museum’s year. The children’s workshop : End-of-year holidays: colour in a drawing by Roland Buraud.

Enter the museum

The timeline

The life of Roland Buraud

The whole timeline 
  1. 1946 – 1958

    From birth to age 12

    The early years

    • 1946Naissance de Roland Buraud
    Read the whole chapter 
  2. 1959 – 1970
    Untitled, 1964–1965

    Room I

    Beginnings

    Paris · Aged 13 to 24

    • 1966École nationale des Beaux-Arts, Paris
    • 1969Deuxième prix international de peinture de Vitry
    Read the whole chapter 
  3. 1971 – 1986
    Femme de sable (Woman of Sand), 1979

    Aged 25 to 40

    Beginnings · Exhibitions gallery

    Paris

    • 1971Galerie du Croux, Paris
    • 1971Exposition, Galerie du Croux, Paris
    • 1974« Chili, quatre peintres témoins », Bagnolet, Amiens
    • + 5 more dates
    Read the whole chapter 
  4. 1987 – 1989
    Untitled, 1989

    Room II

    The dancing body

    Paris · Aged 41 to 43

    • 1987Une fois par semaine pendant trois ans au cours de Kókó Jaspar, au moins quinze dessins par séance
    • 1987Chaque semaine au cours de Kókó Jaspar, metteur en scène et chorégraphe : environ huit cents dessins de danse
    • 1988Le Génie de la Bastille, Paris
    • + 2 more dates
    Read the whole chapter 
  5. 1990 – 1991
    Le Printemps (Spring), 1990

    Room III

    Le Printemps (Spring)

    Paris, Bastille studio · Aged 44 to 45

    • 1990Cahiers de dessins
    • 1990Le Printemps, premier triptyque peint dans l’atelier de la Bastille (trois panneaux de 200 × 130 cm)
    • 1991Première période des Gynéphores
    • + 2 more dates
    Read the whole chapter 
  6. 1992 – 1994
    Untitled, 1993

    Room IV · Room X

    The tipping point · Exhibitions gallery

    Paris · Aged 46 to 48

    • 1992Mac 2000, Grand Palais
    • 1992Mac 2000, Grand Palais, Paris
    • 1993ISC Mécen’Art, PARVI, Paris
    • + 2 more dates
    Read the whole chapter 
  7. 1995 – 1997
    Cross-shaped triptych, 1995
  8. 1998 – 2002
    Untitled, 1998–2002

    Diptychs and Falls · 1 / 2 · Diptychs and Falls · 2 / 2

    Diptychs and Falls · 1 / 2 · Diptychs and Falls · 2 / 2

    Paris · Aged 52 to 56

    • 1998Les fonds noirs envahissent l’atelier : début des grands diptyques (200 × 300 cm), qui inaugurent la période noire
    • 1999Érotiques
    • 2001Début des 110 petits formats des Chutes, à partir de chutes de toiles
    Read the whole chapter 
  9. 2003 – 2005
    Untitled, 2004

    Aged 57 to 59

    Diptychs and Falls · 1 / 2 · Diptychs and Falls · 2 / 2

    Paris, Paris; three trips to China

    • 2005Musée de la Ville de Tianjin, Chine
    • 2005Trois voyages en Chine
    • 2005Année de la France en Chine : musée de Tianjin, rencontre avec le peintre Chen Da Li
    • + 2 more dates
    Read the whole chapter 
  10. 2006
    Untitled, 2006

    Room VI · Digital room · 1 / 2 · Digital room · 2 / 2

    Last canvases · Digital room · 1 / 2 · Digital room · 2 / 2

    Paris; three trips to China, Paris; trips to China · Aged 60

    • 2006Sinusoïdes, encres numériques
    • 2006Séminaires de dessin occidental à l’université de Xi’an
    • 2006Séminaires de dessin occidental à l’université de Xi’an ; « Libertins, Libertines », galerie Area, Paris
    Read the whole chapter 
  11. 2007 – 2016
    Untitled, 2004–2007

    Room IX · Roland Buraud’s studio

    The studio and the film · Roland Buraud’s studio

    Paris, the studio, Bastille · Aged 61 to 63

    • 2007Triptyque noir, 200 × 450 cm
    • 2007Tournage de Regards qu’on plisse : six mois, une dizaine de séances
    • 2007Regards qu’on plisse, documentaire d’Alain Nahum
    • + 5 more dates
    Read the whole chapter 
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The Musamundo museums

The Musamundo Pass and the Family Pass open every museum in the series for a year.

  • Musamundo · Van EyckJan van Eyck, c. 1390 – 1441Opening soon
  • Musamundo · BoschHieronymus Bosch, c. 1450 – 1516Opening soon
  • Musamundo · DürerAlbrecht Dürer, 1471 – 1528Opening soon
  • Musamundo · CaravaggioMichelangelo Merisi da Caravaggio, 1571 – 1610Opening soon
  • Musamundo · RubensPeter Paul Rubens, 1577 – 1640Opening soon
  • Musamundo · La TourGeorges de La Tour, 1593 – 1652Opening soon
  • Musamundo · VelázquezDiego Velázquez, 1599 – 1660Opening soon
  • Musamundo · RembrandtRembrandt van Rijn, 1606 – 1669Opening soon
  • Musamundo · VermeerJohannes Vermeer, 1632 – 1675Opening soon
  • Musamundo · GoyaFrancisco de Goya, 1746 – 1828Opening soon
  • Musamundo · Vigée Le BrunÉlisabeth Vigée Le Brun, 1755 – 1842Opening soon
  • Musamundo · HokusaiKatsushika Hokusai, c. 1760 – 1849Opening soon
  • Musamundo · TurnerJoseph Mallord William Turner, 1775 – 1851Opening soon
  • Musamundo · DelacroixEugène Delacroix, 1798 – 1863Opening soon
  • Musamundo · ManetÉdouard Manet, 1832 – 1883Opening soon
  • Musamundo · DegasEdgar Degas, 1834 – 1917Opening soon
  • Musamundo · MonetClaude Monet, 1840 – 1926Opening soon
  • Musamundo · VincentVincent van Gogh, 1853 – 1890Opening soon
  • Musamundo · SchieleEgon Schiele, 1890 – 1918Opening soon
  • Musée · Roland BuraudRoland Buraud, 1946 – 2009You are here

Get a ticket or a pass

Accessible visit (without 3D)

Every room and every work in the museum, in the order of the visit, on simple pages: the full wall texts, the label and description of each work, and the themed tours. They can be read with a keyboard or a screen reader, and the text can be enlarged.

It is included in the ticket, with no proof needed.

Start the accessible visitAccessibility settings